She also directed the 2019 film Atlantics, for which she became the first black female director to be in contention for the Cannes Film Festival 's highest prize, the Palme d'Or. Melancholic and mysterious, the film urgently and elegantly addresses the perils of illegal migration. Otherwise, I’m not sure it can work for me.”Even if Hollywood does come calling, Diop said she would only field offers with “guaranteed independence as a writer, as a filmmaker, as an artist, and as a person.” Of course, her current success didn’t materialize out of thin air. It illustrates how, for the women who remain behind, the act alone carries a similar profundity and urgency — as it does for the men who leave.“When I started writing the script, I realized that I hadn’t really seen any film with a black couple that was worthy of Romeo and Juliet,” Diop said.
Mots clés: atlantique, genevieve nnaji, lionheart, mati diop.

“I don’t think I would be able to carry on my shoulders a project for so many years if it’s not an absolute necessity,” she said. There isn't a performance that I didn't appreciate.Keep track of everything you watch; tell your friends. So any idea really has to come from a visceral place. In “Mille,” Diop journeys in search of her origins through the footprints left by “Touki,” and along the way, gets to know its two main actors, 35 years later. “And so it made me realize that I could be a filmmaker myself.”Trained at Le Fresnoy (a leading and very selective French artistic institution), Diop would direct her first film, the short “Atlantiques” (2009), a year later. The film is centered around a young woman, Ada, and her partner, Souleiman, struggling in the face of In the coming days, Ada falls under suspicion and is subjected to interrogations and a virginity test. In a merging of souls, their struggles continue within the bodies of the ones who loved them, who also have their own battles to fight at home.For Diop, the exodus of young Senegalese during the “Barcelone ou la Mort” didn’t bode well for the country’s future, especially as she was just starting to discover it. Film de Mati Diop avec Mama Sané, Amadou Mbow, Ibrahima Traoré : toutes les infos essentielles, la critique Télérama, la bande annonce, les diffusions TV et les replay. “Just going to Senegal to make the film, was very personal and definitely about the need to explore my African origins.”The biracial daughter of a Senegalese father and a French mother, Diop was born and raised in Paris. She said her privileged childhood environment shielded her from her African heritage. “For me, the uprising carried within it, the spirits of those who died at sea. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. The stunning debut feature by actress-turned-filmmaker Mati Diop is a bewitching tale of longing focused on a young Senegalese woman gripped by her forbidden love for an exploited construction worker who abruptly emigrates to Europe but seems to be lingering mysteriously behind. 1945, Leningrad. This movie was interesting to me because of the insights it gave me into senegalese culture and society and was carried well by the leading actress and supporting actors. Use the HTML below. Atlantique Mati Diop . They demand their pay, threatening to burn the tower down otherwise. The film follows seventeen-year-old Ada (Mama Sané), who is in love with Souleiman (Ibrahima Traoré), a construction worker, but has been promised to another man by her family. Special thanks: Amélie Garin-Davet—Cultural Services of the French Embassy; Lucien Castaing-Taylor, Julie Mallozzi—Film Study Center, Harvard. A young film student in the early '80s becomes romantically involved with a complicated and untrustworthy man. Directed by Mati Diop (35 rhums), Atlantiques recounts the odyssey of Senegalese friends who attempt a life-threatening boat crossing. But she found hope four years later, when Dakar, the country’s capital city, was shaken by a youth uprising calling for the resignation of then-president Abdoulaye Wade, whose administration was marred by allegations of corruption, nepotism and restrictions on freedom of the press and other civil liberties.“This awakening had a great effect on me because, in a symbolic way, it reminded us that Senegalese youth were still there, and we had maybe turned the page on a dark chapter,” she said. “The future will tell,” she said.At the moment, she’s in no rush to begin her next project. But Souleiman wants only to be with Ada. In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Was this review helpful to you?

Mati Diop was born on June 22, 1982 in Paris, France.

Playing the daughter of a black father (Alex Descas) reminded her of her blackness, which effectively launched her investigation into her African identify, and working with Denis was inspirational in other ways.