Other than that I very much like the "Dies Irae" section.

Dies gilt genau so für den Quantus tremor und dem Quam olim Abrahae. Please try againSorry, we failed to record your vote. The orchestra is a period ensemble and both that the the choir are of appropriate size for the period. Is it just me or is anybody else out there sick and tired of hearing and reading about Süßmayrs contribution to this superb requiem, written by Mozart himself? This lovely CD helps us to remember that sublime occasion. Please try againSorry, we failed to record your vote. We first heard this beautiful music in its entirety at a concert held in the beautiful Sheldonian Theatre, Oxford, England. Trotzdem eine sehr gute Aufnahme. Der Bass könnte bissiger, fordernd und verzweifelter auftreten. (This version is also sold in MP3 form under another link: http://www.amazon.com/Mozart-Requiem/dp/B0012X4EWO/ref=sr_1_3?ie=UTF8&qid=1330099242&sr=8-3 ) The Agnus Dei is suspected by some scholarsAnother controversy is the suggestion (originating from a letter written by Constanze) that Mozart left explicit instructions for the completion of the Requiem on "a few scraps of paper with music on them... found on Mozart's desk after his death. Please try again. I did not want to walk into his class with my portable speaker playing something that could offend the lord. Solvet saeclum in favilla, Teste David cum Sibylla. Missa In C, Kv 167 «In Honorem S[anctissi]mae Trinitatis»Missa Brevis In G, Kv 140/App. Please try againSorry, we failed to record your vote. Here is a rendition that deserves wide acclaim I had never really warmed to this work until I heard this recording. Mozart may have intended to include the The following table shows for the eight sections in Süssmayr's completion with their subdivisions: the title, vocal parts (solo The Requiem begins with a seven-measure instrumental The trombones then announce the entry of the choir, which breaks into the theme, with the basses alone for the first measure, followed by imitation by the other parts.
This lovely CD helps us to remember that sublime occasion. Süßmayr was a copyist and surely quite non-descript.After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.

Mozart was hovering between the worlds when he created this music, it is truly otherworldly and this rendition is beautiful.

Good tempos (not slow as molasses), great balance between the orchestra and the choir, and, hey it is actually recorded well. I must say I am not a great expert at this type of work, nor have I heard every version of Mozartz's masterpiece. Part two of Mozart's Requiem: Kyrie Eleison Uploaded with (near) lossless audio Please try againSorry, we failed to record your vote. I only have one other recording of this (by Bernstein) but I have heard plenty of other versions in full or in part. Please try againSorry, we failed to record your vote. Please try againSorry, we failed to record your vote. Das Orchester begleitete den Chor hervorragend, und wird dem Charakter des Stückes gerecht. Was fehlt ist die Wut und die Verzweiflung die Mozart angesichts seines Todes verspürt haben muss.   Moreover in the final scenes of the Watchmen film after all the people have died they play selections from this piece, as a result you're going to love it because you have definitely heard it before. The choir and the soloists are excellent but the star of the show is Herreweghe. Il me fallait une excellente version du Requiem. Other composers may have helped Süssmayr. According to Constanze, Mozart declared that he was composing the Requiem for himself and that he had been poisoned. Constanze had a difficult task in front of her: she had to keep secret the fact that the Requiem was unfinished at Mozart's death, so she could collect the final payment from the commission. During this phase of the Requiem's history, it was still important that the public accept that Mozart wrote the whole piece, as it would fetch larger sums from publishers and the public if it were completely by Mozart.It is Constanze's efforts that created the flurry of half-truths and myths almost instantly after Mozart's death. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness.Sorry, we failed to record your vote.
If this account of Mozart's Requiem does not convince you that HIP performances are at least worth sampling, then nothing will.